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	<pubDate>Tue, 19 May 2020 13:53:36 +0000</pubDate>
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		<title>Home</title>
				
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		<pubDate>Fri, 17 Apr 2020 14:57:35 +0000</pubDate>

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		<title>EXHIBITIONS</title>
				
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		<pubDate>Tue, 19 May 2020 13:53:36 +0000</pubDate>

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		<description>SOIL SOUL O’CLOCK I-II
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Oranki Art Environmental Art Park
Soil Soul o’clock I-II
Soil chromatography based sun dial sculptures
Group exhibition
Pello, Finland
15.6.-30.9.2026 (on going)


LIGHT GEOMANCY
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LIGHT GEOMANCY
Solo exhibition

Gallery Ars Libera
Kuopio, Finland
29.5.–21.6.2026Materialized Time and Light on Paper

At Sirja Moberg's exhibition, one encounters camera-less and “slow photographs” such as
chemigram, lumen, and soil chromatography prints, as well as an installation built from&#38;nbsp; photography and soil. The works explore the hidden history of the forest landscape through a&#38;nbsp; dialogue between art and science, connected to the soil, and geomancy. Moberg is fascinated by the agency of photography as a revealer, concealer, and delimeter of reality.&#38;nbsp; 
In the Light Geomancy exhibition at Galleria Ars Libera Moberg delves into the durability and&#38;nbsp; materiality of camera-less photography, and examination of the invisible nature. Moberg often works on long-term projects in the expanded field of photography, bioart, installation, and video. The photographs in the exhibition are traces of living organisms drawn by light onto
photographic paper. These traces parallel geomancy, an ancient divination method involving the

casting and interpretation of sticks, stones, or sand. As a form of photographic and bioart,&#38;nbsp; Moberg employs soil chromatography, a method where soil, forest materials, and peat samples
create a visual “memory trace” of the earth on paper. The chromatographs are made on light sensitive filter paper absorbed with a chemical mixture of soil, peat, moss, lichen, or lichen,
forming a circular and unique image. This photochemistry technique, originally developed for
scientific purposes and adapted by Moberg, reflects the hidden life concealed in the soil.


In addition to working in her studio, Moberg undertakes fieldwork in some of Southern Finland’sold growth forests in collaboration with paleoecologist Jemina Djupsjöbacka. The researcher
analyzes pollen samples from peat in forest bogs, which can trace the phases of the forest, past
vegetation, climate impacts, and the history of forestry. The artist draws inspiration from this&#38;nbsp; on going research and the dialogue between science and art, utilizing research samples as

materials for her works—some of which are on display in the exhibition. Since 2020, Moberg&#38;nbsp; has also respectfully collected natural materials from forests and nature reserves, meteorite crater lakes, and the nature of Sápmi for her body of work.


“I use peat, sand, stones, and plants I gather from forests, as well as chemical mixtures, as
materials for my camera-less photographs. I expose the photographs in nature, indoors, or in a
darkroom, typically using expired photographic paper. Through camera-less and handcrafted
photographs, I see my work as kind of alchemy and a reflection on the fundamental essence of

photography,” Moberg explains.

The exhibition is supported by the Arts Promotion Centre Finland.



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Light Beings Alchemy
Solo exhibition
Gallery Ratamo, The Center of Creative Photography
Jyväskylä, Finland
18.12.2025–18.1.2026
Materialized time and light on paper

In visual artist Sirja Moberg's exhibition, visitors will see camera-less and "slow photographs" such as chemigrams, lumen prints, and soil chromatography. The works explore hiddenhistories in forest landscapes through the dialogue between art and science connected to the&#38;nbsp; soil, geomancy, and animism. Moberg is fascinated by photography's agency as a revealer,
concealer, and delimeter of reality.In Galleria Ratamo's Light Beings Alchemy exhibition, Sirja Moberg (MA) delves into the materiality,
durationality and boundary-pushing of analog photography. Her photographs are a connection
between more-than-human worlds: traces made by living organisms and drawn by light on
photographic paper. The traces are parallel to geomancy, an ancient method of divination using sticks,
stones or sand thrown to the ground and their interpretation. As a form of photography and bioart, Moberg uses the soil chromatography method, in which soil, forest material and peat samples form a
visual "memory trace" of the soil on paper. This technique, which utilizes photochemistry and was originally developed
for scientific purposes and further developed by Moberg, depicts the life hidden in the soil.

In addition to working in the studio, Moberg undertakes field trips to the most old forests in Southern
Finland in dialogue with paleoecologist Jemina Djupsjöbacka. The researcher analyzes pollen samples
from bog peat in the forest land, which can be used to trace the stages of the forest, past vegetation,climate effects and the history of forestry. Moberg, in turn, draws inspiration from this ongoingresearch and utilizes research samples as materials for the production of works, the final results of

which are presented in the exhibition.

The exhibition has been supported by the Arts Promotion Centre Finland 
and the Finnish Heritage
Agency.


VARTIOSAARI ARTISTS OPEN STUDIOS 2025


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&#60;img width="3472" height="4624" width_o="3472" height_o="4624" data-src="https://freight.cargo.site/t/original/i/9cafa3d105117e633872cd4b5489b75fa1e7a656864c2a6df6555304a8d1cad7/IMG_20250830_150323.jpg" data-mid="239161909" border="0"  src="https://freight.cargo.site/w/1000/i/9cafa3d105117e633872cd4b5489b75fa1e7a656864c2a6df6555304a8d1cad7/IMG_20250830_150323.jpg" /&#62;

Light Geomancy 

–

The Vartiosaari Series
Pigment print and metal board(Scan of a chemigram and lumen print)

A Childhood’s Dream 
–

 Meteorites (2024)
Video: Sirja Moberg, sound: Juho Hämäläinen

August 30–31.8.2025, Vartiosaari, Helsinki






Vartiosaari Artists Open Studios 2025
on the magical island of Vartiosaari. Exhibitions, performances, screenings, 
food, and shared moments at the close of summer.




CORPUS

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Monoma
Heikkiläntie 2024 exhibitions



Sirja
Moberg: Corpus


13.9.–13.10.2024. Lauttasaari, Helsinki


The works in Sirja Moberg's Corpus exhibition bring together the artist's recent works in the
common spaces of the Heikkiläntie 7 workspace building in Lauttasaari. The photographic works
address the invisible and mysterious nature through meteorite craters, soil, the cycle of life, and
themes related to deep time and geomancy. The exhibition offers perspectives on contemplating the
relationship with nature through experimental photographic representations. The exhibition is part

of Helsinki Design Week's Open Studios event.





MUUTOS.ART ARTHOUSE&#60;img width="4463" height="3570" width_o="4463" height_o="3570" data-src="https://freight.cargo.site/t/original/i/24e0b6e584a9190136c1851ff87e32e9d6b9462022429b1d4fcf3d655652c0c2/light_geomancy_sirja_moberg_upeart2024netti.jpg" data-mid="216446061" border="0"  src="https://freight.cargo.site/w/1000/i/24e0b6e584a9190136c1851ff87e32e9d6b9462022429b1d4fcf3d655652c0c2/light_geomancy_sirja_moberg_upeart2024netti.jpg" /&#62;
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&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/e43931f00bf6487c4d86b50331bb16803dc2cb98e0f5ae0300484b1362e9467d/light_geomancy_sirja_moberg_upeart2024netti_9.jpg" data-mid="216446069" border="0"  src="https://freight.cargo.site/w/1000/i/e43931f00bf6487c4d86b50331bb16803dc2cb98e0f5ae0300484b1362e9467d/light_geomancy_sirja_moberg_upeart2024netti_9.jpg" /&#62;&#60;img width="4900" height="3675" width_o="4900" height_o="3675" data-src="https://freight.cargo.site/t/original/i/d76b8827c3c4059649433c295fd9370c4e2f9455c0419033f48d267e59075d72/light_geomancy_sirja_moberg_upeart2024netti_6.jpg" data-mid="216446065" border="0"  src="https://freight.cargo.site/w/1000/i/d76b8827c3c4059649433c295fd9370c4e2f9455c0419033f48d267e59075d72/light_geomancy_sirja_moberg_upeart2024netti_6.jpg" /&#62;

&#60;img width="3502" height="5253" width_o="3502" height_o="5253" data-src="https://freight.cargo.site/t/original/i/e751f5c908db033f16124ef9a9b20143f66497e6c8fc1f059b61de65e44b8e94/light_geomancy_sirja_moberg_upeart2024netti_5.jpg" data-mid="216446064" border="0"  src="https://freight.cargo.site/w/1000/i/e751f5c908db033f16124ef9a9b20143f66497e6c8fc1f059b61de65e44b8e94/light_geomancy_sirja_moberg_upeart2024netti_5.jpg" /&#62;

&#60;img width="4768" height="3814" width_o="4768" height_o="3814" data-src="https://freight.cargo.site/t/original/i/c5602c2117ba2d348dc3bdb64b3da07a6a283c8909b3a1f5d006e17f33fd53bf/light_geomancy_sirja_moberg_upeart2024netti_12.jpg" data-mid="216446058" border="0"  src="https://freight.cargo.site/w/1000/i/c5602c2117ba2d348dc3bdb64b3da07a6a283c8909b3a1f5d006e17f33fd53bf/light_geomancy_sirja_moberg_upeart2024netti_12.jpg" /&#62;


&#60;img width="5648" height="3765" width_o="5648" height_o="3765" data-src="https://freight.cargo.site/t/original/i/b6c03f2fb2b423bde7c03838a40b4b3f213e4cfc09fd10c1b3357438398f3bc9/light_geomancy_sirja_moberg_upeart2024netti_11.jpg" data-mid="216446071" border="0"  src="https://freight.cargo.site/w/1000/i/b6c03f2fb2b423bde7c03838a40b4b3f213e4cfc09fd10c1b3357438398f3bc9/light_geomancy_sirja_moberg_upeart2024netti_11.jpg" /&#62;


&#60;img width="5400" height="3600" width_o="5400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/47c6128826cea076752ed0fec9333216a78d53e32a068d7381fd6d779ff122f9/light_geomancy_sirja_moberg_upeart2024netti_3.jpg" data-mid="216446063" border="0"  src="https://freight.cargo.site/w/1000/i/47c6128826cea076752ed0fec9333216a78d53e32a068d7381fd6d779ff122f9/light_geomancy_sirja_moberg_upeart2024netti_3.jpg" /&#62;


&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/52bdde200a14fca0c71476deb32de168de553d0092d77ea223178251f6d8f8a4/light_geomancy_sirja_moberg_upeart2024netti_2.jpg" data-mid="216446062" border="0"  src="https://freight.cargo.site/w/1000/i/52bdde200a14fca0c71476deb32de168de553d0092d77ea223178251f6d8f8a4/light_geomancy_sirja_moberg_upeart2024netti_2.jpg" /&#62;Light Geomancy (Valon Geomantia)Sekatekniikka installaatio (Lumen-printti ja kemigrammi,

Maa-aines, Skannaus, Pigmenttivedos)Upeart/&#38;nbsp;Muutos.art-Taidetalon ryhmänäyttely, Tampere
14.6.

–31.8.2024




Muutos.art-taidetalo valtaa entisen toimistotalon Tampereen Ratinanrannassa kesällä 2024. Light Geomancy-teokseeni sain inspiraation Muutos.art-talon maaperän syvyyksiin ja geomantian ennustusmenetelmään piiloutuvist aihealueista. Hyödynsin rakennuksen pihapiirin kivi- ja eloperäistä maa-ainesta sekä maaperästä valmistamaani nestettä materiaaleina ilman kameraa syntyville valokuville. Työn teemoina ovat maaperä, siitä ennustaminen, näkymätön luonto valokuvissa sekä mystillinen luontoyhteys.
Ensimmäinen osa installaatiota on pöytä, jonka päälle asettelin valoherkkiä valokuvapapereita ja mm. kiviä sekä hiekkaa valottumaan näyttelyn ajaksi. Toinen osa seinällä koostuu hiilipiirros ja lumen-printti &#38;amp; kemigrammi-muodostelmasta, minkä printit toteutin samalla metodilla kuin pöydän kuvat. Kuva-aiheena alttarimaiselle kokonaisuudelle on tamperelaisen taidetalon (ex-toimistotalon) pihapiiristä kerätty maaperä, joka sitoo teoksen ympäristöönsä ja toimii katsojan tulkittavana ennusteena.




now(here). Lapinlahti
&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/5e9494955befdfb5b93916c6978b083b2de1e6ed51a628ac902083d2ae82a0ba/light_beings_alchemy_nowheresirja_moberg_72ppi_10.jpg" data-mid="217605105" border="0"  src="https://freight.cargo.site/w/1000/i/5e9494955befdfb5b93916c6978b083b2de1e6ed51a628ac902083d2ae82a0ba/light_beings_alchemy_nowheresirja_moberg_72ppi_10.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/528e349dcacfa783b49c82e420c0c7038d3d56d53d4731924d6ef7b75587beb7/light_beings_alchemy_nowheresirja_moberg_300ppi.jpg" data-mid="217605109" border="0"  src="https://freight.cargo.site/w/1000/i/528e349dcacfa783b49c82e420c0c7038d3d56d53d4731924d6ef7b75587beb7/light_beings_alchemy_nowheresirja_moberg_300ppi.jpg" /&#62;


&#38;nbsp;&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/c11ae9ed0a18b0bdcf532ec105ea484da3b8f363f4d72ab92856bd470cd0c114/light_beings_alchemy_nowheresirja_moberg_72ppi_9.jpg" data-mid="217605118" border="0"  src="https://freight.cargo.site/w/1000/i/c11ae9ed0a18b0bdcf532ec105ea484da3b8f363f4d72ab92856bd470cd0c114/light_beings_alchemy_nowheresirja_moberg_72ppi_9.jpg" /&#62;
&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/93e00669a932426cc462dba3981d0329f729ca11007a6c9a56dc10137d8c828e/light_beings_alchemy_nowheresirja_moberg_72ppi_2.jpg" data-mid="217605111" border="0"  src="https://freight.cargo.site/w/1000/i/93e00669a932426cc462dba3981d0329f729ca11007a6c9a56dc10137d8c828e/light_beings_alchemy_nowheresirja_moberg_72ppi_2.jpg" /&#62;


&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/12c68aeb202b97389bc2a7bc97da6db388f7b6453804c8cc8dacce4cbcbe412d/light_beings_alchemy_nowheresirja_moberg_72ppi_3.jpg" data-mid="217605113" border="0"  src="https://freight.cargo.site/w/1000/i/12c68aeb202b97389bc2a7bc97da6db388f7b6453804c8cc8dacce4cbcbe412d/light_beings_alchemy_nowheresirja_moberg_72ppi_3.jpg" /&#62;


&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/af5677186edf9b55647486279a01bb89dc7c5d0fd7e2fa139ec9dd8351da8a4d/light_beings_alchemy_nowheresirja_moberg_72ppi_6.jpg" data-mid="217605114" border="0"  src="https://freight.cargo.site/w/1000/i/af5677186edf9b55647486279a01bb89dc7c5d0fd7e2fa139ec9dd8351da8a4d/light_beings_alchemy_nowheresirja_moberg_72ppi_6.jpg" /&#62;



&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/5cadcab169974ce87cf251bf357bee23ad482a87c3bc4f40bb8fcfa2b8a3bdde/light_beings_alchemy_nowheresirja_moberg_72ppi_7.jpg" data-mid="217605115" border="0"  src="https://freight.cargo.site/w/1000/i/5cadcab169974ce87cf251bf357bee23ad482a87c3bc4f40bb8fcfa2b8a3bdde/light_beings_alchemy_nowheresirja_moberg_72ppi_7.jpg" /&#62;



now(here). group exhibition
𝑳𝒊𝒈𝒉𝒕 𝑩𝒆𝒊𝒏𝒈𝒔 𝑨𝒍𝒄𝒉𝒆𝒎𝒚 (𝑺𝒊𝒕 𝒕𝒊𝒃𝒊 𝒕𝒆𝒓𝒓𝒂 𝒍𝒆𝒗𝒊𝒔)

 Pigment print (scan of a chemigram &#38;amp; lumen print, e.g. soil from Lapinlahti surroundings was used in the exposure process) 


3.7.-30.8.2024



Galleria Kuja, Lapinlahti, Helsinki



Now(here). was an exhibition of 35 finnish and international visual artists that filled the halls of Galleria Kuja and Käytävägalleria in Lappari and Kammio in the park for summer 2024 in Helsinki. The exhibition emphasised the important case of keeping lapinlahti as a cultural, art, mental health and community space, not a corporate and privatised utility. Now(here). was curated by the tourist, Benjamin Phillips Nozdrachev. During the exhibiton over 3000 new signatures were signed in a petition for supporting saving Lapinlahti.




The Underlying: Porvoon Taidehalli
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/0b472e4fa574bc44ffd05e6cc279ff6ee6fe1c1d48f5c4fd967d245fde110396/DSC_6182.jpg" data-mid="205283030" border="0"  src="https://freight.cargo.site/w/1000/i/0b472e4fa574bc44ffd05e6cc279ff6ee6fe1c1d48f5c4fd967d245fde110396/DSC_6182.jpg" /&#62;


&#60;img width="5860" height="3912" width_o="5860" height_o="3912" data-src="https://freight.cargo.site/t/original/i/800fe6b1fef355b1f684a2b977788df64c323e214db0aa73cf9f612c18b20361/DSC_6093.jpg" data-mid="205283026" border="0"  src="https://freight.cargo.site/w/1000/i/800fe6b1fef355b1f684a2b977788df64c323e214db0aa73cf9f612c18b20361/DSC_6093.jpg" /&#62;


&#60;img width="3775" height="5655" width_o="3775" height_o="5655" data-src="https://freight.cargo.site/t/original/i/d59e51b3fcf2911c47c9802f00d3c07f3c984d3115eb83aee5cc38dbcdfb63c4/DSC_5963.jpg" data-mid="205283019" border="0"  src="https://freight.cargo.site/w/1000/i/d59e51b3fcf2911c47c9802f00d3c07f3c984d3115eb83aee5cc38dbcdfb63c4/DSC_5963.jpg" /&#62;
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/7d8c4ee0d165e6499b8ac37d0701eee19abc4ba8860f0991c695f5db9d961f32/DSC_6140.jpg" data-mid="206165863" border="0"  src="https://freight.cargo.site/w/1000/i/7d8c4ee0d165e6499b8ac37d0701eee19abc4ba8860f0991c695f5db9d961f32/DSC_6140.jpg" /&#62;
&#60;img width="4640" height="6960" width_o="4640" height_o="6960" data-src="https://freight.cargo.site/t/original/i/f7c0af1e3ff2e3f00365c602492cf9baadb682dfcffabb15267c959c9e1c03cc/IMG_9613.jpg" data-mid="206593806" border="0"  src="https://freight.cargo.site/w/1000/i/f7c0af1e3ff2e3f00365c602492cf9baadb682dfcffabb15267c959c9e1c03cc/IMG_9613.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/128fd97040ba19e2f42ed0abfac70a97eb7e85ddde7eb5128cfa539f75d32036/DSC_6145.jpg" data-mid="206165862" border="0"  src="https://freight.cargo.site/w/1000/i/128fd97040ba19e2f42ed0abfac70a97eb7e85ddde7eb5128cfa539f75d32036/DSC_6145.jpg" /&#62;&#38;nbsp;

&#60;img width="5424" height="3621" width_o="5424" height_o="3621" data-src="https://freight.cargo.site/t/original/i/9cdd8628239bcab4767c59c6a5ecb04c0f5df9c3fe42f35d5b91e7a8986f8b4c/DSC_5960-1.jpg" data-mid="206165859" border="0"  src="https://freight.cargo.site/w/1000/i/9cdd8628239bcab4767c59c6a5ecb04c0f5df9c3fe42f35d5b91e7a8986f8b4c/DSC_5960-1.jpg" /&#62;



&#60;img width="5681" height="3792" width_o="5681" height_o="3792" data-src="https://freight.cargo.site/t/original/i/ecaf838df95754cadab03a8ee17a4ee5883dcd8dffb28b9d2200ef7e84e5d215/DSC_5966.jpg" data-mid="205283306" border="0"  src="https://freight.cargo.site/w/1000/i/ecaf838df95754cadab03a8ee17a4ee5883dcd8dffb28b9d2200ef7e84e5d215/DSC_5966.jpg" /&#62;


&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/b2199f7749fe562d9035a469d25d7cd5341f1607dfb412639de25c0ea791eed3/DSC_6133.jpg" data-mid="205283027" border="0"  src="https://freight.cargo.site/w/1000/i/b2199f7749fe562d9035a469d25d7cd5341f1607dfb412639de25c0ea791eed3/DSC_6133.jpg" /&#62;
&#60;img width="5147" height="3860" width_o="5147" height_o="3860" data-src="https://freight.cargo.site/t/original/i/6e13946595b776b84620aae28314598c8d4c283ea4634e559ff956e409f1a529/DSC_6109.jpg" data-mid="206165864" border="0"  src="https://freight.cargo.site/w/1000/i/6e13946595b776b84620aae28314598c8d4c283ea4634e559ff956e409f1a529/DSC_6109.jpg" /&#62;


&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/2e5abfa9f88df2685ffacbfcc291d29d633c4f1c805b0e9b11c2410037002717/DSC_6130.jpg" data-mid="205283031" border="0"  src="https://freight.cargo.site/w/1000/i/2e5abfa9f88df2685ffacbfcc291d29d633c4f1c805b0e9b11c2410037002717/DSC_6130.jpg" /&#62;


&#60;img width="5355" height="4016" width_o="5355" height_o="4016" data-src="https://freight.cargo.site/t/original/i/a3a77e7ad4e339a6b6b90df53e4e11a0b34db8de7740d0c71a87b6b82d56b8c7/DSC_6047.jpg" data-mid="205283024" border="0"  src="https://freight.cargo.site/w/1000/i/a3a77e7ad4e339a6b6b90df53e4e11a0b34db8de7740d0c71a87b6b82d56b8c7/DSC_6047.jpg" /&#62;


&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/66c9ada3a9fff45647efb63aab83da56a52152c17ebe4ee1db4c667a634aa62b/DSC_6189.jpg" data-mid="205283246" border="0"  src="https://freight.cargo.site/w/1000/i/66c9ada3a9fff45647efb63aab83da56a52152c17ebe4ee1db4c667a634aa62b/DSC_6189.jpg" /&#62;

&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/eb09d7a44fb1e3998a6597aeb06a5fe72a0dff14466955965db3ebf68114c420/DSC_6007.jpg" data-mid="205283022" border="0"  src="https://freight.cargo.site/w/1000/i/eb09d7a44fb1e3998a6597aeb06a5fe72a0dff14466955965db3ebf68114c420/DSC_6007.jpg" /&#62;

&#60;img width="5261" height="3946" width_o="5261" height_o="3946" data-src="https://freight.cargo.site/t/original/i/8b5e2a6430b09376b037f830c08058abda4eb6816c7d686686f7ea70dbbaa268/DSC_5973.jpg" data-mid="206165887" border="0"  src="https://freight.cargo.site/w/1000/i/8b5e2a6430b09376b037f830c08058abda4eb6816c7d686686f7ea70dbbaa268/DSC_5973.jpg" /&#62;


&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/be0f86adfac2e25560a83df93739594bac365263b2fdcbf29f966ee70198c239/DSC_6044.jpg" data-mid="205283025" border="0"  src="https://freight.cargo.site/w/1000/i/be0f86adfac2e25560a83df93739594bac365263b2fdcbf29f966ee70198c239/DSC_6044.jpg" /&#62;

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/be6a7bcbbbcf1d34f568d7cfc2858e6a2b8873ef2e18cf6f45d1cc2be28f0dca/DSC_6040.jpg" data-mid="206599013" border="0"  src="https://freight.cargo.site/w/1000/i/be6a7bcbbbcf1d34f568d7cfc2858e6a2b8873ef2e18cf6f45d1cc2be28f0dca/DSC_6040.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="3650" height="5468" width_o="3650" height_o="5468" data-src="https://freight.cargo.site/t/original/i/1a1d2f57270efa18a7599edbebd478b474724ee38cabf0ff64eabb2be84eb471/DSC_6032.jpg" data-mid="206599054" border="0"  src="https://freight.cargo.site/w/1000/i/1a1d2f57270efa18a7599edbebd478b474724ee38cabf0ff64eabb2be84eb471/DSC_6032.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="3798" height="5689" width_o="3798" height_o="5689" data-src="https://freight.cargo.site/t/original/i/9d0911df79b4ebefdc9f6e926fc07157b69ad633ecd38f2b785cbc1578369900/DSC_6028.jpg" data-mid="206165881" border="0"  src="https://freight.cargo.site/w/1000/i/9d0911df79b4ebefdc9f6e926fc07157b69ad633ecd38f2b785cbc1578369900/DSC_6028.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;


&#60;img width="4431" height="6647" width_o="4431" height_o="6647" data-src="https://freight.cargo.site/t/original/i/0f02a1eb462e2ed558749acc0c5757a03d3dc813fd74fe278d50da185230ec6c/IMG_9636.jpg" data-mid="206593812" border="0"  src="https://freight.cargo.site/w/1000/i/0f02a1eb462e2ed558749acc0c5757a03d3dc813fd74fe278d50da185230ec6c/IMG_9636.jpg" /&#62;


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&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/ad1ba4dfb9c232bbbd018d3a061fac11a5a0c7565c85aee84bca13f5c1793096/DSC_6013.jpg" data-mid="205283023" border="0"  src="https://freight.cargo.site/w/1000/i/ad1ba4dfb9c232bbbd018d3a061fac11a5a0c7565c85aee84bca13f5c1793096/DSC_6013.jpg" /&#62;The Underlying
Solo exhibitionPorvoon Taidehalli (Porvoo Art Hall), Porvoo FIN16.2.–24.3.2024

Sirja Moberg’s exhibition ”The Underlying” unfolds in&#38;nbsp;Porvoo Art Hall in ritualistic formations. Thephoto and video artworks explore the invisible, the mystical, and the diverse nature through soil, the
lifecycle, plant life, and the hidden deep time in landscapes. The exhibition also presents soil chromato- graphies, pigment transfer works, as well as object and sculpture installations. The exhibition offers perspectives on reflections over our relationship with nature through experimental photographic methods.



Soil is a unifying factor in Moberg’s work, which essentially includes fieldwork trips to nature reserves’ forests, meteorite craters, and the fells of Sápmi nature. From these locations, she has gathered materials and experiences for her works. With the works exhibited at the Porvoo Art Hall, Moberg aims to represent the deep time crystallized in meteorites and trace fossil stones from Kilpisjärvi: How do these extremely slow
changes in cosmic and geological time compare to the brief span of human life?



In addition to directing her camera towards these earthy elements, as seen in the video work ”Kuonjarjohka” and in the video made with a microscope, ”A Childhood Dream – Meteorites”, Moberg uses sand, stones,
and plants as materials in the creation of analog photographs. The exhibition also showcases an alternative
way of utilizing soil chromatography, originally developed for agriculture. Chromatographies that make useof soil and forest materials along with photo chemicals allow the viewer to, as it were, look into the earth and reflect on the vitality that originates from it.

”The connection to nature and its mysteries is at the core of my artistic practise. I am particularly puzzledby how photography acts as a revealer, concealer, and delimiter of these aspects, as well as of reality itself.
Experimental photographic processes and their combination with other artistic techniques are the driving force that moves my work forward,” Moberg explains. The artist has also drawn inspiration from the ancientFinnish belief that the underworld was the night side of all existence. Therefore, ”The Underlying” exhibition looks beneath the surface of reality to things that do not appear to the naked eye.

VARTIOSAARI OPEN STUDIOS


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&#60;img width="3472" height="4624" width_o="3472" height_o="4624" data-src="https://freight.cargo.site/t/original/i/ac9b54d9316a42a3e994f28ace0c738c926d6ed1e87b9d76a80c0bb465f9ee71/IMG_20230826_14290172.jpg" data-mid="189398174" border="0"  src="https://freight.cargo.site/w/1000/i/ac9b54d9316a42a3e994f28ace0c738c926d6ed1e87b9d76a80c0bb465f9ee71/IMG_20230826_14290172.jpg" /&#62;

The Vartiosaari Series

Vartiosaari Artists House Open Studios


Disappearing Lumen print, photogram


 12,7 x 17,8 cm



Aavasaksa
Blueberry- and moss chromatography

50 x 30c m

2023, Vartiosaari island, HelsinkiA group exhibition with the member artists of Vartiosaari Artists House.




HORIZONTDemolition Art House
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The Promise of Jatuli II
Mixed media installation
Horizont Demolition Art House group show, 
Tornio-Haparanda, FIN/SWE
4.8.-23.9.2023

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Kuonarjohka
Video and sound installation


Horizont Demolition Art House group show, 
Tornio-Haparanda, FIN/SWE
4.8.-23.9.2023



Horizont was a community art project which creates a new bridge through art between Haparanda-Tornio at the border of Sweden-Finland. The aim of the project was to create a dialogue between the young people of Haparanda and Tornio and the local inhabitants. Young people on both sides of the border could meet, plan and create art together. The project had two parts, one part was created in Tornio and the other part in Haparanda.The project involved two buildings, Röyttäntie 4, an apartment building in Tornio, Finland and Tornedalsskolan school in Haparanda, Sweden.



Artists and groups created art in June and July 2023, and a two-part exhibition was held in both buildings during August and September 2023.

The Underlying: Gallery Rajatila&#60;img width="3508" height="2342" width_o="3508" height_o="2342" data-src="https://freight.cargo.site/t/original/i/17574c5140e8f296d124f8c9c1e066cdf7d39be52e2f6ef7ac08d1991343239d/DSC_550872.jpg" data-mid="185498208" border="0"  src="https://freight.cargo.site/w/1000/i/17574c5140e8f296d124f8c9c1e066cdf7d39be52e2f6ef7ac08d1991343239d/DSC_550872.jpg" /&#62;

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The Underlying
Galleria Rajatila, Tampere 06/2023, FIN
Solo exhibition
In The Underlying exhibition, Sirja Moberg's works spread in Gallery Rajatila's upstairs in ritual-like formations. Moberg's themes intertwine around the soil, cycle of life, plant life and deep time in nature. The exhibition constructs of video works, soil chromatograms, pigment transfer canvases and object &#38;amp; sculpture installations. The exhibition also includes Moberg's analog photographs which she made during her artis in residency period at CYAN Darkroom, Oslo, in the spring of 2023.

The soil is a unifying factor in Moberg's work, which essentially includes work trips to the forests of nature reserves, meteorite craters and the fell of the Sámi Land. The exhibition in Gallery Rajatila combines these projects into a single whole, and offers perspectives on the significance of the soil and the nature relationship through photographic representations. The exhibition is a continuation of the soil-themed exhibition Soil Experiments, at Photo Center Nykyaika in the winter of 2023.

”The connection to nature and nature mysticism are at the core of my artistic practise. In particular, I'm fascinated by the reality claim and agency of a photograph as a revealer, concealer and delimiter of reality. Experimental photographic processes and combining them with other art techniques are always fascinating to me and the driving force behind my work," says Moberg.

Moberg is interested in the state of our planet's cosmic interaction, and she experiences meteorites that strike the Earth as a communicator of that interaction. In her exhibition works, she examines&#38;nbsp; the deep time crystallizing in meteorites and trace fossil rocks from Kilpisjärvi. In addition to placing elements of the soil as the object of her camera, as in Kuonarjohka video piece and in a video made with a microscope called A Childhood dream – Meteorites, the artist uses sand and rocks as material for the completion of an image in her photograms. The exhibition also displays an alternative way of using soil chromatography developed for agriculture in the context of photographic art. Chromatographies utilizing soil and forest materials and photochemistry give the viewer the opportunity to 'see' inside the earth and reflect on the life force emanating from it.




The exhibition has been supported by the Arts Promotion Centre Finland (Taike). 
Thank you to the Finnish Bioart Society and Kumpula Geological Collections (Luomus).



CYAN Darkroom Artist in Residency&#38;nbsp;
Oslo, Norway
- as a part of Nordic Analog Network residency programme
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Sirja Moberg: Residency exhibition

CYAN Gallery, 
5th of May 2023, Oslo Norway

CYAN gallery presented me as invited to&#38;nbsp;Nordic 
Analog Network's Artist in Residence programme at the CYAN Darkroom in April-May in Oslo. My exhibition works included photograms made with caffenol developer, soil- and forest material chromatographs, chemigrams and lumen prints. 
My darkroom work was experimental and exploratory, while at the same time it had a focus on bioart and a scientific method via soil chromatographs.&#38;nbsp;The chemigrams include using a chemical mixture which contains e.g. parts of soil and forest materials such as lichens and moss in the 'Light beings alchemy I-II' prints. I displayed the chemigrams both in analog form and as pigment prints, in which they have been scanned digitally in order to preserve the colors and physical texture that's been created on top of the photographic paper during its exposing to light.&#38;nbsp;For me, the alternative processes in the residency’s darkroom photographs had a certain sense of magic and I sought ways of revealing something invisible, abstract or unknown in the nature and bring it visible and multi-meaningful via the freedom of art. 
 
&#38;nbsp;

CYAN Darkroom Residency/ Nordic Analog Network&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/57abdc0fecde3df8f276e92cea8046f426a96e9c60644802d41a720678db3ba6/IMG_20230427_18261572.jpg" data-mid="198143525" border="0"  src="https://freight.cargo.site/w/1000/i/57abdc0fecde3df8f276e92cea8046f426a96e9c60644802d41a720678db3ba6/IMG_20230427_18261572.jpg" /&#62;

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Cyan Darkroom Artist in Residency
Nordic Analog Network
Oslo, Norway, April-May 2023
I was invited as the Finnish photo artist to Nordic Analog Network's Artist in Residence at the CYAN darkroom in April-May. 
In a series of artist residencies set up as darkroom exchanges the Nordic darkrooms invites analog photo artists to come and work in professional darkrooms.&#38;nbsp;At Cyan Darkroom I worked to investigate the soil and plant life through the collection ofmaterial samples and the creation of analogue darkroom images of them. Through a series of soil chromatograph prints, fotograms, lumen prints and chemigrams, I looked at both the representation of the subject through abstract visual patterns and interpretable information collected in photographic paper.


Sirja Moberg: Soil Experiments

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&#60;img width="2304" height="3072" width_o="2304" height_o="3072" data-src="https://freight.cargo.site/t/original/i/565bdfb2414f338880acaf189e10c041b250bf86c1c8f92c74922996dd7514cf/_MG_7238_1.JPG" data-mid="170671092" border="0"  src="https://freight.cargo.site/w/1000/i/565bdfb2414f338880acaf189e10c041b250bf86c1c8f92c74922996dd7514cf/_MG_7238_1.JPG" /&#62;

Soil Experiments

Photographic Centre NYKYAIKA, Tampere11.2.-13.3.2023



Moberg’s artistic field trips to the forests of nature reserves, meteorite craters and the fell of the Sámi Land combine her interest in soil. The Soil Experiments exhibition in Photographic Center Nykyaika combines these projects into a single whole, and offers perspectives on the significance of the soil and the nature relationship through photographic representations.&#38;nbsp; The exhibition constructs of working material created during these trips: soil chromatographies, pigment transfer canvases, photographic and video works, and an installation.

The connection to nature and nature mysticism are at the core of Moberg’s art. In particular, she is fascinated by the reality claim and agency of a photograph as a revealer, concealer and delimiter of reality.

– &#38;nbsp;&#38;nbsp; In our culture, what nature photographs that focus on aesthetics do not show us, and what nature does not necessarily show to the impatient eye of the busyness of everyday life, is at the heart of my work. For example, the soil is a living entity under our feet, but we are constantly in a state of oblivion with it, as if in a dream, Moberg ponders.

Moberg’s work is inspired by some ideas of the book by philosopher Emanuele Coccia: The Life of Plants: A Metaphysics of Mixture (2020), according to which the earth is our planetary brains, the stone flesh of the planet and with it an active communicator through the underground roots and minerals of plants. Moberg is also interested in the state of our planet’s cosmic interaction, which she experiences as a communicator of meteorites that strike the Earth. In her exhibition works, she examines meteorites and the deep time crystallizing in the landscapes of craters and trace fossil rocks from Kilpisjärvi.

In the exhibition, the chromatography series which uses soil, forest materials and photographic chemistry gives the viewer the opportunity to ‘see’ inside the earth and reflect on the soil as a fundamental pillar of our lives. Soil chromatography is a method developed in the 50s for biodynamic agriculture to study the properties of cultivated soil visually. Moberg’s series of chromatography has been created for the preservation of biodiversity from a nature conservation perspective and from an artist’s personal perspective. In addition to placing elements of the soil as the object of her camera, as in the Kuonarjohka video piece and microscopic photographs of meteorites and trace fossil rocks, the artist uses sand and rocks as material for the completion of an image in her photograms.


The exhibition has been supported by the Arts Promotion Centre Finland (Taike). Thank you to the Finnish Bioart Society and Kumpula Geological Collections (Luomus).







Kuoriaisefekti: Merkkejä näkymättömästä 
elämästä ja yhteyksistä/ The Beetle Effect

&#60;img width="5416" height="4066" width_o="5416" height_o="4066" data-src="https://freight.cargo.site/t/original/i/3495ae7691e6a95440320e1c0c56fbce9e6b317cd66d92a521bc33faf6bb35ad/IMG_20220923_152933_1.JPG" data-mid="155696515" border="0"  src="https://freight.cargo.site/w/1000/i/3495ae7691e6a95440320e1c0c56fbce9e6b317cd66d92a521bc33faf6bb35ad/IMG_20220923_152933_1.JPG" /&#62;


Patvinsuo, Kuuslahti, Evo, Seitseminen, Oulanka, Pyhä-Häkki, Kuuslahti

Soil-, lichen-, moss-, beard moss and tree bark chromatography on paper
50 x 60 cm, 30 x 60 cm

Kuoriaisefekti: Merkkejä näkymättömästä elämästä&#38;nbsp;
ja yhteyksistä -group showNatural History Museum Luomus/ Luonnontieteellinen Keskusmuseo LuomusHelsinki2022


16.9.–20.11.2022



&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3394a456055b213cd1c5380ee0fa28b79e53d2c6474485879d1bc4d7dbe5f807/Sirja_Moberg6.JPG" data-mid="152681538" border="0"  src="https://freight.cargo.site/w/1000/i/3394a456055b213cd1c5380ee0fa28b79e53d2c6474485879d1bc4d7dbe5f807/Sirja_Moberg6.JPG" /&#62;


Oulanka, Evo
Soil-, moss-, lichen chromatography




50 x 60 cm



&#60;img width="980" height="1225" width_o="980" height_o="1225" data-src="https://freight.cargo.site/t/original/i/f0b2e0d95051604bed327ce637a0e01282c15c1896c0e9fdac0d750e1e55fd6f/Sirja_Moberg5.JPG" data-mid="152681537" border="0"  src="https://freight.cargo.site/w/980/i/f0b2e0d95051604bed327ce637a0e01282c15c1896c0e9fdac0d750e1e55fd6f/Sirja_Moberg5.JPG" /&#62;&#60;img width="2993" height="3741" width_o="2993" height_o="3741" data-src="https://freight.cargo.site/t/original/i/cdc012b0a27e061f550684c2d43af4a16b4a1fa7d82466ec6ab2578b0eccd18a/teoskuva2_1.JPG" data-mid="152681540" border="0"  src="https://freight.cargo.site/w/1000/i/cdc012b0a27e061f550684c2d43af4a16b4a1fa7d82466ec6ab2578b0eccd18a/teoskuva2_1.JPG" /&#62;
Patvinsuo, Kuuslahti



Soil- and lichen chromatography

50 x 60 cm





 

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Evo, Kuuslahti

Lichen and beard moss chromatography

50 x 60 cm



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Pyhä-Häkki, Seitseminen

Soil chromatograhy


50 x 30 cm



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KuuslahtiTree bark chromatography
50 x 30 cm

“Taidenäyttelyä ovat innoittaneet seitsemän uhanalaista kovakuoriaista ja yksi lude:korpikolva, kaskikeiju, haavansahajumi, lahokapo, punahärö, mäntyhuppukuoriainen, havuhuppukuoriainen ja palolatikka. Lajikirjostamme lähes puolet on hyönteisiä, ja niillä on korvaamaton rooli luontomme monimuotoisessa kokonaisuudessa. 
Moni hyönteinen on kuitenkin päätynyt uhanalaisten lajien punaiseen kirjaan. Esimerkiksi lahopuun väheneminen ja vanhojen metsien häviäminen uhkaavat monia lajeja.

 Esillä olevat taideteokset ovat syntyneet kahden, vuosina 2021 ja 2022 
Lammilla ja Porkkalanniemessä pidetyn Tieteen &#38;amp; Taiteen leirin hedelmänä. Leirit olivat paikka dialogille – mahdollisuus yhdistää tutkijoiden ja taiteilijoidenvoimat ja etsiä uusia näkökulmia luonnon monimuotoisuuteen.




Näyttelyn taiteilijat ovat Otso Havanto, Hannu Karjalainen, Heikki Lindgren, Sirja Moberg,&#38;nbsp; Katri Naukkarinen, Susu Rytteri, Hanna Råst, Antti Tenetz, Fanny Varjo ja Joonas Ahlava.”&#38;nbsp;





Helsinki Darkroom Festival
Suolaa, Metallia/ Salt, Metal

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Öjberget, Söderfjärden &#38;amp; Valley of Time, Kilpisjärvi

30 x 30 cm
Soil chromatography on paper
Hippolyte x Korjaamo, Helsinki
2022
“Darkness, red light, timer, rubber gloves, respiratory masks, developers, stop baths, fixers, detergents, toners, pliers and brushes – welcome to the world of chemical photography! The joint exhibition at Hippolyte Korjaamo presents the broad and diversefield of analog photography in Finland.

The name of the exhibition, Salt, Metal, refers to the chemistry based process of photography in which photosensitive salts are exposed to light and then developed into metal. In addition to the traditional silver gelatin prints and chromogenic colour prints, the exhibition presents for example cyanotype, lumen prints, daguerreotype, wet plate, polaroid, carbon print, bromoil print, photopolymer and chromatography. 

The joint exhibition presents in total 28 artists: Sara Ahde, Ulla-Maija Alanen, Petri Anttonen, Pira Cousin, Lauri Eriksson, Cosmo Grossbach, Paula Haapalahti, Jenni Haili, J. Hartelin, Antti Hietala, Olli Jaakkola, Kristian Jalava, Markku Joutsen, Jaakko Kilpiäinen, Lars Kronlund, Natalia Kopkina, Maria Kärkkäinen, Katri Lassila, Tuomas Linna, 
Sirja Moberg, Viivi Nieminen, Anna Niskanen, Marko Rantanen, Jussi Ronkainen,Mikael Siirilä, Ida Taavitsainen, Henna Tyrväinen and Jukka Vaso.

The exhibition is organised&#38;nbsp; by the Finnish Darkroom Association in collaboration with the Association of Photographic Artists. It is part of the Helsinki Darkroom Festival, organised for the first time by the Finnish Darkroom association and supported by the Finnish Cultural Foundation. The aim of the comprehensive and future-oriented 
festival is to bring together different actors, researchers and artists working with analog photography. Impression Remains, the international main exhibition of the festival is open at the Finnish Museum of Photography until 15 May.

”








POLARIS

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&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b6f04e9c9580b0ba3f175c4b3d1985825c2c58554ee3752e84b0ea98fdfa6362/Domi_HDW_EXPO-23.jpg" data-mid="88182277" border="0"  src="https://freight.cargo.site/w/1000/i/b6f04e9c9580b0ba3f175c4b3d1985825c2c58554ee3752e84b0ea98fdfa6362/Domi_HDW_EXPO-23.jpg" /&#62;

The Baltic Ripple Effect
Dominik Fleischmann, Eulalia Ramírez, Sabina Friman, Sirja Moberg, Terhi Adler
Installation
Helsinki Design Week 2020: 
Designs For a Cooler Planet exhibition
Aalto University Campus, EspooThe Baltic Sea is not only one of the busiest shipping routes in the world but alsoone of the most vulnerable biospheres; afragile cosystem that is suffering from human impact. The artists, designers and photographers expose threats to the fragile ecosystem of the Baltic Sea.

Polaris is a study project in which students from Visual Communication Design
and Photography departments in Aalto University researched the state of the Baltic Sea from the point of view of the climate change. The article

Mitä huomenna syötäisiin?

 is a collaboration between Aalto University and IMAGE. It is realized by Terhi Adler, Sabina Friman, Johanna Karjalainen, Sirja Moberg and Eulalia Ramirez.



Exhibition documentation by Dominik Fleischmann

Additional collaborators: Johanna Karjalainen, Elina Nikkinen, Mark McGuinness&#38;nbsp;and IMAGE magazine
Mentor: Päivi Häikiö



&#60;img width="1149" height="1532" width_o="1149" height_o="1532" data-src="https://freight.cargo.site/t/original/i/76e8c17f763640cc0b3fdec4ed6040358a77bfc597ffebf83b77fc088d621100/cargo.JPG" data-mid="71607078" border="0"  src="https://freight.cargo.site/w/1000/i/76e8c17f763640cc0b3fdec4ed6040358a77bfc597ffebf83b77fc088d621100/cargo.JPG" /&#62;
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Mitä huomenna syötäisiin?

IMAGE magazine editorial 05/2020 issue


Terhi Adler, Sabina Friman, Johanna Karjalainen, 
Sirja Moberg, Eulalia Ramirez



PARANVOI



&#60;img width="3096" height="5504" width_o="3096" height_o="5504" data-src="https://freight.cargo.site/t/original/i/6252becb48ab798237c491a2f9bde181c095874279259558dbfac57072785874/DSC_0627.JPG" data-mid="206252679" border="0"  src="https://freight.cargo.site/w/1000/i/6252becb48ab798237c491a2f9bde181c095874279259558dbfac57072785874/DSC_0627.JPG" /&#62;

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ParanvoiMixed media installationEmily Carr University of Art + Design, CAN2019



Without any sense organs Paranvoi (Fuligo septica) can suddenly rise from it’s hiding place and navigate after moist circumstances and nutrition. Paranvoi is concerned as a slime fungus which crawls slowly on rotten wood or stumps searching for food. It can join anoter plasmodium or change it’s form or colour with age. When it turns dry it’s reproductive spores spread everywhere carried by air.The finnish name for the fungus comes from an ancient mythological creature ‘Para’. Myth says that it stole butter from houses and dropped it into the woods.


The installation seen at Emily Carr Uni is a continuation for previous my Paranvoi works. The installation is based on the idea and myth that Paranvoi could also be seen in a form of a roll of thread.


&#60;img width="3741" height="499" width_o="3741" height_o="499" data-src="https://freight.cargo.site/t/original/i/0b8ed9996f8ef543fdea029530cbd40b7ce048e36582187145eae5eb34c686a2/kokeilupitkteos2.jpg" data-mid="206843420" border="0"  src="https://freight.cargo.site/w/1000/i/0b8ed9996f8ef543fdea029530cbd40b7ce048e36582187145eae5eb34c686a2/kokeilupitkteos2.jpg" /&#62;&#60;img width="3741" height="490" width_o="3741" height_o="490" data-src="https://freight.cargo.site/t/original/i/239a0e76d5379d0803a4e082f63c7e55da5d6d8328b48e6e63fcb3ddb6fcd52f/kokeilupitkteos3_tulostus.jpg" data-mid="206843421" border="0"  src="https://freight.cargo.site/w/1000/i/239a0e76d5379d0803a4e082f63c7e55da5d6d8328b48e6e63fcb3ddb6fcd52f/kokeilupitkteos3_tulostus.jpg" /&#62;&#60;img width="3737" height="497" width_o="3737" height_o="497" data-src="https://freight.cargo.site/t/original/i/e32623897fb9f2a90b6020f1a89d29050c76f3a7aa8b0ec33f2aff88d3c93f39/kolmas_tulostus.jpg" data-mid="206843422" border="0"  src="https://freight.cargo.site/w/1000/i/e32623897fb9f2a90b6020f1a89d29050c76f3a7aa8b0ec33f2aff88d3c93f39/kolmas_tulostus.jpg" /&#62;&#60;img width="20833" height="2792" width_o="20833" height_o="2792" data-src="https://freight.cargo.site/t/original/i/57f34cacca642f8b2aa0bd3785cbc7dfab1c55bbc866ee1b314f94bade45bd31/paranvoiII_sirja_moberg.jpg" data-mid="206843423" border="0"  src="https://freight.cargo.site/w/1000/i/57f34cacca642f8b2aa0bd3785cbc7dfab1c55bbc866ee1b314f94bade45bd31/paranvoiII_sirja_moberg.jpg" /&#62;
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&#60;img width="5567" height="3714" width_o="5567" height_o="3714" data-src="https://freight.cargo.site/t/original/i/369cec1190dbd9c45934233b3123c2e2cd4ce8c11f8975ec56214e55b2fb1dd3/IMG_0469_1.jpg" data-mid="206843427" border="0"  src="https://freight.cargo.site/w/1000/i/369cec1190dbd9c45934233b3123c2e2cd4ce8c11f8975ec56214e55b2fb1dd3/IMG_0469_1.jpg" /&#62;Photo: Maria West


Paranvoi
Pigment print
B-VOLUTION group exhibition, 2014
B-Galleria, Turku FINWithout any sense organs Paranvoi (Fuligo septica) can suddenly rise from it’s hiding place and navigate after moist circumstances and nutrition. Paranvoi is concerned as a slime fungus which crawls slowly on rotten wood or stumps searching for food. It can join anoter plasmodium or change it’s form or colour with age. When it turns dry it’s reproductive spores spread everywhere carried by air.

The finnish name for the fungus comes from an ancient mythological creature ‘Para’. Myth says that it stole butter from houses and dropped it into the woods.

Paranvoi photographic collage series concentrates on alternative ways of performing photography. Customary ways of looking photography doesn’t apply to the pieces. Creating new realities becomes possible when a photograph is being made. The stream of pictures expands like a mycelium which kidnaps new surfaces of a photograph. Paranvoi doesn’t create reality. It is a product of imaginary, memories, mental images and emotions. The inspiration for creating my collages comes from this slime fungus that acts like it has a consciousness of its own in its activities. The project has been ongoing since 2013. The most recent part of the series was in a joint exhibition: Perintö:30 in Työhuone 33, Turku in autumn 2017.






Entities of Light &#38;amp; Shadow be gone





&#60;img width="600" height="400" width_o="600" height_o="400" data-src="https://freight.cargo.site/t/original/i/8e06b92885abee491f6f618b2ab6004cbf7765c6ccc5aeac0aa5e9a80e6ffd9e/entities_of_ligth_sirja_moberg_2.jpg" data-mid="206842766" border="0"  src="https://freight.cargo.site/w/600/i/8e06b92885abee491f6f618b2ab6004cbf7765c6ccc5aeac0aa5e9a80e6ffd9e/entities_of_ligth_sirja_moberg_2.jpg" /&#62;
Entities of Light
Two channel video installation
Virtaus exhibition, 2017
Brinkkala Gallery, Turku FINThe piece is a part of The Crater Lake Project. The video work was inspired by the unexplained light phenomenon 'Paasveen piru' (The Devil of Lake Paasvesi) observed in Paasvesi in Orivesi. The light phenomenon has been observed over a period of several hundred years, and one idea suggests that the phenomenon could be related to the formation of the lake, as the round-shaped lake was created by a meteor impact.The starting point for the work was the stories I had heard and read about the devil in Paasvesi and my interest in natural phenomena that are classified as supernatural. In this topic, I am interested in the camera's ability to record and, on the other hand, what the camera does not see. Can the camera see what the human eye cannot? What is the significance of footage classified as supernatural?




Shadow be gone




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&#60;img width="400" height="599" width_o="400" height_o="599" data-src="https://freight.cargo.site/t/original/i/693666f631aef9b49efb31966baec2385ac04962505e4666f3ee7cc9f709011a/shadow_be_gone_sirja_moberg_2.jpg" data-mid="206842781" border="0"  src="https://freight.cargo.site/w/400/i/693666f631aef9b49efb31966baec2385ac04962505e4666f3ee7cc9f709011a/shadow_be_gone_sirja_moberg_2.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="400" height="591" width_o="400" height_o="591" data-src="https://freight.cargo.site/t/original/i/0024369629385f8a1912b0cb117383cb9224f7c91b2887d7c3ef6383436fe6bb/shadow_be_gone_sirja_moberg_1.jpg" data-mid="206842806" border="0"  src="https://freight.cargo.site/w/400/i/0024369629385f8a1912b0cb117383cb9224f7c91b2887d7c3ef6383436fe6bb/shadow_be_gone_sirja_moberg_1.jpg" /&#62;

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Varjo, Poistu
Shadow be gone
Mixed media on roll paper, Size varies


Virtaus exhibition, 2017Brinkkala Gallery, Turku FIN

Exhibition documentation from private exhibition with visual artists Lilli Haapala, Outimaija Hakala and Anni Saijonkivi at Brinkkala Gallery, Turku.

In the work, I deal with making the subconscious of the human mind visible through art. Art acts as a bridge between different worlds. More important to me than the end result was the production process, in which the work was created as if dictated by the subconscious without prior planning. It was born out of the need to purify stagnant energy and work it into a concrete and visible object from the perception of the mind.

Shadow, be gone is a mixed technique of drawing and painting on a roll of paper. 






UNDEFINED PRESENCE





&#60;img width="1534" height="1024" width_o="1534" height_o="1024" data-src="https://freight.cargo.site/t/original/i/22c3e7fe387d3b70193a04f678977ecb7ff9be97f258f038545a1b50654ff733/72.JPG" data-mid="206845921" border="0"  src="https://freight.cargo.site/w/1000/i/22c3e7fe387d3b70193a04f678977ecb7ff9be97f258f038545a1b50654ff733/72.JPG" /&#62;
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&#60;img width="1534" height="1024" width_o="1534" height_o="1024" data-src="https://freight.cargo.site/t/original/i/e0c7c10916952d10c69edbe266383fd6dfc7889fee6e154ce00ac70526e7336b/72_1.JPG" data-mid="206845926" border="0"  src="https://freight.cargo.site/w/1000/i/e0c7c10916952d10c69edbe266383fd6dfc7889fee6e154ce00ac70526e7336b/72_1.JPG" /&#62;

UNDEFINED PRESENCE
Marjaniemi Nature trail, Turku
Exhibition documentation/ Sirja Moberg 2015Mirror, mannequin55 x 185 cm 

The piece was a part of my thesis exhibition from my BA studies in Turku University of Applied Sciences - Turku Arts Academy. Undefined presence was situated in Marjaniemi nature trail in Ruissalo, Turku 2015.

The presenting environment of a photograph doesn’t always have&#38;nbsp; to be a public (or private) wall or a room. The artwork of the exhibition Undefined presence were alongside a nature trail. Inspiration for my pieces came from the surrounding nature, my own nature relationship and of the amazement that I feel towards the essence 
of photography. I pondered on the communication between a photograph and nature and what is undefined in a photograph.&#38;nbsp; I wanted to see what kind of presence a photograph has in nature.

A mirror sculpture that is also named Undefined presence got its idea from a desire to represent a photograph in nature in a way that’s not usual for a photograph. A photograph is like a mirror. A photograph is used to capture limited pieces of the environment. The mirror sculpture contains hundreds of reflections: photographs of its surroundings in the same way. The work reflected the uncontrollable nature with its broken surface. The same nature that people try to frame, examine and understand through cameras.





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&#60;img width="2894" height="2067" width_o="2894" height_o="2067" data-src="https://freight.cargo.site/t/original/i/a5f5b3c4117552ad2bf95d9cbfcfb5ac03988ac8f9afdf0b7f462fd199033a40/portfolio_sirja_moberg_cargo-11-kopio.jpg" data-mid="210213892" border="0"  src="https://freight.cargo.site/w/1000/i/a5f5b3c4117552ad2bf95d9cbfcfb5ac03988ac8f9afdf0b7f462fd199033a40/portfolio_sirja_moberg_cargo-11-kopio.jpg" /&#62;

&#60;img width="1852" height="1326" width_o="1852" height_o="1326" data-src="https://freight.cargo.site/t/original/i/f31394311ae5307fb62c211b82ff62198c75c809b7fb42705d1b9b8ea5b03516/portfolio_sirja_moberg_cargo-11-kopio2.jpg" data-mid="210213893" border="0"  src="https://freight.cargo.site/w/1000/i/f31394311ae5307fb62c211b82ff62198c75c809b7fb42705d1b9b8ea5b03516/portfolio_sirja_moberg_cargo-11-kopio2.jpg" /&#62;
UNDEFINED PHOTOGRAPH

I, II, III, IV




Marjaniemi Nature trail, Turku
Exhibition documentation/ Sirja Moberg 2015



80 x 61cm, 75 x 98cm, 100 x 128cm, 24 x 31cm
Undefined photograph I-III from my thesis exhibition of TUAS are pigmentprints and at the same time photos of the 
original chromogenic colour proof sheets. I picked out the original proof sheets from the trashcan in a color darkroom. They are photopaper that are used to clean the darkrooms printing machine with. As a result of the cleaning process comes out an abstract photograph that is born by a coincidence. Its meanings are limitless. 
These ‘photographs by chance’ got me thinking about 
questions: what is the essence of a photograph? What is a photograph? Trash turned out to be meaningful and multi significance artwork. I scanned and printed pigmentprints of the original proof sheets and presented them in nature by hanging the pigmentprints in trees. I brought them in nature because a viewer automatically tries to&#38;nbsp; perceive landscapes, forms and natures light phenomenons in these 
abstract colors and shapes. It’s interesting to ponder what kind of films 
and photographs these images have been formed of. What kind of landscapes, environments, things and people or how much light and color has been&#38;nbsp; captured in time and space so that the colour machines proof sheets have turned out to be just like these photos.

The piece was a part of my thesis exhibition from my art degree studies in Turku University of Applied Sciences - Turku Arts Academy. 

&#60;img width="1009" height="1511" width_o="1009" height_o="1511" data-src="https://freight.cargo.site/t/original/i/a00fc9f8e9a5e3eeb84a7d0ab65a379a2232210552fcee285eb84abd9f747204/72_2.JPG" data-mid="206845932" border="0"  src="https://freight.cargo.site/w/1000/i/a00fc9f8e9a5e3eeb84a7d0ab65a379a2232210552fcee285eb84abd9f747204/72_2.JPG" /&#62;

&#60;img width="1024" height="1534" width_o="1024" height_o="1534" data-src="https://freight.cargo.site/t/original/i/dbcfd85a431cb3d744d22cd22c8046fa834842b19a9edb6698bcb50b6286490d/72_1.JPG" data-mid="206845935" border="0"  src="https://freight.cargo.site/w/1000/i/dbcfd85a431cb3d744d22cd22c8046fa834842b19a9edb6698bcb50b6286490d/72_1.JPG" /&#62;

HUMAN PORTRAIT

Marjaniemi Nature trail, Turku
Exhibition documentation/ Sirja Moberg 2015


Pigmentprint on film, frame27 x 34, 3cm

What kind of presence does a filmed portrait of a&#38;nbsp; human being have in the nature? The presenting environment and its connection to the surroundings rose in an important role in my exhibition which I built alongside the nature
trail of Marjaniemi. The photo is my self-portrait 
and it was
framed and hanged in a cavity of a tree. The cavity for it’s part looks like nature’s
own frame. Looking at 
the portrait a viewer places oneself in front of one kind&#38;nbsp; of an altar by nature. The tree in question has got an
extra object by its side. Why? (art)objects that don’t belong in the nature awakcontradictory thoughts in the viewers mind and I continue exploring this. Human is a part of nature but doesn’t always remember it. Western peope often place themselves above nature and live in square environment and immortalizes oneself in square portraits.











</description>
		
	</item>
		
		
	<item>
		<title>THE CRATER LAKE PROJECT</title>
				
		<link>https://sirjamoberg.com/THE-CRATER-LAKE-PROJECT</link>

		<pubDate>Fri, 17 Apr 2020 14:57:35 +0000</pubDate>

		<dc:creator>sirjamoberg</dc:creator>

		<guid isPermaLink="true">https://sirjamoberg.com/THE-CRATER-LAKE-PROJECT</guid>

		<description>
	The Crater Lake Project2017

– 2024 
On going


&#60;img width="4057" height="3042" width_o="4057" height_o="3042" data-src="https://freight.cargo.site/t/original/i/2c9f72c3c0591e9f9113489a2b855577c0c36c1b90d2b956623ddee1321a3e30/opinnayte_moberg_13_1.JPG" data-mid="88189391" border="0"  src="https://freight.cargo.site/w/1000/i/2c9f72c3c0591e9f9113489a2b855577c0c36c1b90d2b956623ddee1321a3e30/opinnayte_moberg_13_1.JPG" /&#62;



&#60;img width="2734" height="3418" width_o="2734" height_o="3418" data-src="https://freight.cargo.site/t/original/i/22c4787f6ba8782a0d5375f10dc19f3e91194419632e657f5a58cf26274b5257/DSC_4678.JPG" data-mid="88189264" border="0"  src="https://freight.cargo.site/w/1000/i/22c4787f6ba8782a0d5375f10dc19f3e91194419632e657f5a58cf26274b5257/DSC_4678.JPG" /&#62;





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Video stills from the video installation


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The Crater Lake Project
Installation (video, sound, sculpture)
Unfold group exhibition


Finnish Museum of
Photograpy 


&#38;nbsp;2020
People often feel like they are watching nature from the outside, as though they are observing, molding or controlling 
it. I believe that the photograph 
in particular has a dangerous capability to mold 
and limit the Western perception of nature. 
Humans are an inseparable part of nature. Nature is an entity that 
contains numerous phenomena still unknown to science. In my work, I examine how these unknown phenomena affect 
our 
perception of nature and how art can make this unknown reality visible. 
 
I have filmed crater lakes in Finland, Estonia and Oregon USA. These lakes have been linked to various supernatural phenomena on-going scientific research and folklore regarding their formation. Respecting the infinite 
diversity of nature, its unexplainable phenomena and structures, as well as this folklore is at the heart of my work. Fact and fiction, scientific, artistic and the personal 
intertwine in The Crater Lake Project. &#38;nbsp;




Video of Paasvesi crater lake&#38;nbsp;


The video from installation Entities of light (2017) is the origin and the main theme of The Crater Lake Project. The installation is inspired by a light phenomenon called Paasveen piru (the devil of lake Paasvesi) that is indefinitely an unexplained light phenomenom and it’s been 
observed hundreds of years by locals around the lake. The devil is a bright light sphere hovering above the waters of the lake moving and changing it’s directions rapidly. According to one opinion the phenomenom might be associated with
the way the round shaped lake was originated: by a meteor strike. My experience of witnessing the devil with my own eyes and 
filming video material of it made me
 become curious and interested 
in other crater lakes, other unexplained natural phenomena, folk tales and scientific studies connected to them.

&#60;img width="600" height="400" width_o="600" height_o="400" data-src="https://freight.cargo.site/t/original/i/8e06b92885abee491f6f618b2ab6004cbf7765c6ccc5aeac0aa5e9a80e6ffd9e/entities_of_ligth_sirja_moberg_2.jpg" data-mid="206261475" border="0"  src="https://freight.cargo.site/w/600/i/8e06b92885abee491f6f618b2ab6004cbf7765c6ccc5aeac0aa5e9a80e6ffd9e/entities_of_ligth_sirja_moberg_2.jpg" /&#62;
Entities of Light
A two channel video installation
2017
Brinkkalan Galleria, Turku FIN
Exhibition documentation from private exhibition with visual artists Lilli Haapala, Outimaija Hakala and Anni Saijonkivi at Brinkkala Gallery, Turku.


TRACING METEORITES

&#60;img width="1836" height="2754" width_o="1836" height_o="2754" data-src="https://freight.cargo.site/t/original/i/f945814ed7d74da768e55db9f75048b53e44e111310c4fddaa35c8747861230c/IMG_20180711_194859.jpg" data-mid="123585588" border="0"  src="https://freight.cargo.site/w/1000/i/f945814ed7d74da768e55db9f75048b53e44e111310c4fddaa35c8747861230c/IMG_20180711_194859.jpg" /&#62;
Charcoal on paper

size varies

2018At Keurusselkä crater lake I located a remote shore where certain rocks could be&#38;nbsp; found which 
have traces from the crater impact on their surfaces. The pressure from the impact
caused these marks on the rock surfaces which I traced onto a paper with charcoal. Through the gesture of rubbing the paper with my hand on these rocks I could become closer physically with the soil and the historical catastrophe of the impact within the soil. Somehow this natural phenomena became to feel more personal for me. The charcoal traces which are imprinted on 
the paper are in a way images of the meteor strike
that happened millions of years ago.





SUMMASJÄRVI 25.7.2018 I-III


&#60;img width="4503" height="3002" width_o="4503" height_o="3002" data-src="https://freight.cargo.site/t/original/i/e3fd83ff086c24f98e7791151aff2bba2c21056541c281ba2aae8050e85a9ee5/valmis_2.jpg" data-mid="123585283" border="0"  src="https://freight.cargo.site/w/1000/i/e3fd83ff086c24f98e7791151aff2bba2c21056541c281ba2aae8050e85a9ee5/valmis_2.jpg" /&#62;



&#60;img width="4346" height="2897" width_o="4346" height_o="2897" data-src="https://freight.cargo.site/t/original/i/5c3ccbff9bccf52af1e80314a3cc14018611579f319f504fad19109be7841c53/valmis.jpg" data-mid="123585296" border="0"  src="https://freight.cargo.site/w/1000/i/5c3ccbff9bccf52af1e80314a3cc14018611579f319f504fad19109be7841c53/valmis.jpg" /&#62;




&#60;img width="4431" height="2954" width_o="4431" height_o="2954" data-src="https://freight.cargo.site/t/original/i/5877cc31f09482afb0a1b5068dfb6d27342a5ee5295317a4b401a46b7ac444a0/valmis_1.jpg" data-mid="123585298" border="0"  src="https://freight.cargo.site/w/1000/i/5877cc31f09482afb0a1b5068dfb6d27342a5ee5295317a4b401a46b7ac444a0/valmis_1.jpg" /&#62;


&#60;img width="3864" height="2576" width_o="3864" height_o="2576" data-src="https://freight.cargo.site/t/original/i/ac176b37054f9be5f3cc128a329744398f2f76f02e01aefcf9c805eaaff38bdd/DSC_9737_2.JPG" data-mid="123585910" border="0"  src="https://freight.cargo.site/w/1000/i/ac176b37054f9be5f3cc128a329744398f2f76f02e01aefcf9c805eaaff38bdd/DSC_9737_2.JPG" /&#62;

Silk screenprint

45 x 68 cm
Sushibar + Wine, Helsinki, 2020


The silk screen prints are part of the series of works in The Crater Lake Project. The prints are from photographs taken from the shore of the Summasjärvicrater from the summer of 2018. According to the researchers, there is a hitherto unknown 
anomaly in the conductivity of the water near the crater. For this reason, I cropped and scaled the photos I took of the water to larger images 
for my silk screen prints. They are images of the combination of the state of water and light: abstract forms that look like microscopic cells.


SÄÄKSJÄRVI/ THE SHAPE OF WATER


&#60;img width="3769" height="5120" width_o="3769" height_o="5120" data-src="https://freight.cargo.site/t/original/i/1909494ebc2e65c8ea1ead744f3bb6361d9a696f86acb08a742ce81e5d82f72a/IMG_20221023_154157_1.JPG" data-mid="157389843" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/1909494ebc2e65c8ea1ead744f3bb6361d9a696f86acb08a742ce81e5d82f72a/IMG_20221023_154157_1.JPG" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e9bd30a7fbf40aebf5c7b85a86f10262f0ac571f92610ed24941c4aab8cc9fe6/DSC_1760.JPG" data-mid="123585025" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/e9bd30a7fbf40aebf5c7b85a86f10262f0ac571f92610ed24941c4aab8cc9fe6/DSC_1760.JPG" /&#62;&#60;img width="1161" height="1161" width_o="1161" height_o="1161" data-src="https://freight.cargo.site/t/original/i/cc494053bb3bef6fd2760b158f1e8844f9669bad356ff5004a44ef4b0b84623c/DSC_1331.JPG" data-mid="123585026" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/cc494053bb3bef6fd2760b158f1e8844f9669bad356ff5004a44ef4b0b84623c/DSC_1331.JPG" /&#62;&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b74d5c290b0de10d9665ff5dca8158476863c86353ab66307023c7f1776eea97/DSC_1757.JPG" data-mid="123585027" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/b74d5c290b0de10d9665ff5dca8158476863c86353ab66307023c7f1776eea97/DSC_1757.JPG" /&#62;&#60;img width="2442" height="2442" width_o="2442" height_o="2442" data-src="https://freight.cargo.site/t/original/i/941d2e1ce5c95ae5d9bf748bb34177d519a4a27aeaedebba84d7327e7fdd5eb3/DSC_1758.JPG" data-mid="123585028" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/941d2e1ce5c95ae5d9bf748bb34177d519a4a27aeaedebba84d7327e7fdd5eb3/DSC_1758.JPG" /&#62;
Pigment transfer collage on canvas50 x 50 cm, 60 x 60 cm2021 (on going)

A series of collage pigment transfer pieces on canvas from The Crater Lake Project (2017-) body of works.

The UnderlyingPorvoo Art Hall2024
&#60;img width="5355" height="4016" width_o="5355" height_o="4016" data-src="https://freight.cargo.site/t/original/i/cbb736a873b4fc94dbb51e4373b50b161f8d6b3755eb6b4f0498abe4bf2959ab/DSC_6104.jpg" data-mid="206262442" border="0"  src="https://freight.cargo.site/w/1000/i/cbb736a873b4fc94dbb51e4373b50b161f8d6b3755eb6b4f0498abe4bf2959ab/DSC_6104.jpg" /&#62;


&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/1bec079ed0068f8cb6903672b44b331899764d59b1cc761e6291dbe879d3a05f/DSC_6136.jpg" data-mid="206262443" border="0"  src="https://freight.cargo.site/w/1000/i/1bec079ed0068f8cb6903672b44b331899764d59b1cc761e6291dbe879d3a05f/DSC_6136.jpg" /&#62;

 2023, STARDUST
PUZZLE. Pigment print (a digital scan of a chemigram)










&#60;img width="5926" height="3956" width_o="5926" height_o="3956" data-src="https://freight.cargo.site/t/original/i/0e68bed72eeddc8094a6fdbd913017853ae2a7e9604fd535dbd1e82aefb4be2a/DSC_6127.jpg" data-mid="206261959" border="0"  src="https://freight.cargo.site/w/1000/i/0e68bed72eeddc8094a6fdbd913017853ae2a7e9604fd535dbd1e82aefb4be2a/DSC_6127.jpg" /&#62;


&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/1f8e4920c863df68993e2e406b8710f45938402ba8fa24b05dd15e4619914c9f/DSC_6130.jpg" data-mid="206261977" border="0"  src="https://freight.cargo.site/w/1000/i/1f8e4920c863df68993e2e406b8710f45938402ba8fa24b05dd15e4619914c9f/DSC_6130.jpg" /&#62;


	
	
	
	



2023,&#38;nbsp;Constellations Obscure I-II. Photogram.








&#60;img width="5424" height="3621" width_o="5424" height_o="3621" data-src="https://freight.cargo.site/t/original/i/2b3dd74d701abba112808d9d53c6012188a037c8d7d85f14a7f8db0d2d2a66f6/DSC_5960-1.jpg" data-mid="206262381" border="0"  src="https://freight.cargo.site/w/1000/i/2b3dd74d701abba112808d9d53c6012188a037c8d7d85f14a7f8db0d2d2a66f6/DSC_5960-1.jpg" /&#62;
 

 




&#60;img width="5860" height="3912" width_o="5860" height_o="3912" data-src="https://freight.cargo.site/t/original/i/0811f5f7947789af26267eb7ecef33987f460544f9c017c8e485f213353abfb7/DSC_6093.jpg" data-mid="206261956" border="0"  src="https://freight.cargo.site/w/1000/i/0811f5f7947789af26267eb7ecef33987f460544f9c017c8e485f213353abfb7/DSC_6093.jpg" /&#62;


	
	
	
	



2022–24,&#38;nbsp;The Altar. Soil- and forest material chromatograph
installation.









&#60;img width="5261" height="3946" width_o="5261" height_o="3946" data-src="https://freight.cargo.site/t/original/i/4a093b37b58a4f6ec0adb59e7ef30f2ba6af2cb5bd43142ec020aabd2f3e4025/7.-The-Root_-Devil-of-lake-Paasvesi.jpg" data-mid="206261975" border="0"  src="https://freight.cargo.site/w/1000/i/4a093b37b58a4f6ec0adb59e7ef30f2ba6af2cb5bd43142ec020aabd2f3e4025/7.-The-Root_-Devil-of-lake-Paasvesi.jpg" /&#62;


	
	
	
	







	
	
	
	


2017–2024,The Root: Devil of lake Paasvesi. Pigment print.









&#60;img width="5923" height="3954" width_o="5923" height_o="3954" data-src="https://freight.cargo.site/t/original/i/6c45a2b5b3763c4c0105751ded015e6ffaa1031a8b9b5c1f3bb57770171363de/DSC_6026.jpg" data-mid="206262326" border="0"  src="https://freight.cargo.site/w/1000/i/6c45a2b5b3763c4c0105751ded015e6ffaa1031a8b9b5c1f3bb57770171363de/DSC_6026.jpg" /&#62;


&#60;img width="3650" height="5468" width_o="3650" height_o="5468" data-src="https://freight.cargo.site/t/original/i/8a8a1036b96888550d6cf358fa17846fe1e716456d414fe02d27775dd9a96a3d/DSC_6032.jpg" data-mid="206261954" border="0"  src="https://freight.cargo.site/w/1000/i/8a8a1036b96888550d6cf358fa17846fe1e716456d414fe02d27775dd9a96a3d/DSC_6032.jpg" /&#62;
&#60;img width="3798" height="5689" width_o="3798" height_o="5689" data-src="https://freight.cargo.site/t/original/i/7f8545b7772d475693aac2f5b9c0ac36112af0ab2a6331b5e0e1add3e0ba39d1/DSC_6028.jpg" data-mid="206261953" border="0"  src="https://freight.cargo.site/w/1000/i/7f8545b7772d475693aac2f5b9c0ac36112af0ab2a6331b5e0e1add3e0ba39d1/DSC_6028.jpg" /&#62;
&#60;img width="3759" height="5631" width_o="3759" height_o="5631" data-src="https://freight.cargo.site/t/original/i/d77771f9d50511fd9b75a268db9bacf2fb624bf4c93d1e017d7265ae7908d7a5/DSC_6033.jpg" data-mid="206261955" border="0"  src="https://freight.cargo.site/w/1000/i/d77771f9d50511fd9b75a268db9bacf2fb624bf4c93d1e017d7265ae7908d7a5/DSC_6033.jpg" /&#62;
&#60;img width="3759" height="5631" width_o="3759" height_o="5631" data-src="https://freight.cargo.site/t/original/i/d77771f9d50511fd9b75a268db9bacf2fb624bf4c93d1e017d7265ae7908d7a5/DSC_6033.jpg" data-mid="206261955" border="0"  src="https://freight.cargo.site/w/1000/i/d77771f9d50511fd9b75a268db9bacf2fb624bf4c93d1e017d7265ae7908d7a5/DSC_6033.jpg" /&#62;


	
	
	
	



2023,&#38;nbsp;Soil Experiments. Pigment print. Microscope
photograph of a meteorite thin section. 
Photogram,
digital scan.






&#60;img width="5853" height="3907" width_o="5853" height_o="3907" data-src="https://freight.cargo.site/t/original/i/fe558a63d9b8cce4d8d5bb2385999b210473743024d3eaeeef67a68b670b25e2/DSC_6043.jpg" data-mid="206264165" border="0"  src="https://freight.cargo.site/w/1000/i/fe558a63d9b8cce4d8d5bb2385999b210473743024d3eaeeef67a68b670b25e2/DSC_6043.jpg" /&#62;
&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/cf945e9603666dac4299a2205c776c5a6bac16e36ccc1ceafc123d3518284aa5/9.-A-Childhood-dream--Metorites.-Video.-Sound-by-Juho-Hmlinen.jpg" data-mid="206264164" border="0"  src="https://freight.cargo.site/w/1000/i/cf945e9603666dac4299a2205c776c5a6bac16e36ccc1ceafc123d3518284aa5/9.-A-Childhood-dream--Metorites.-Video.-Sound-by-Juho-Hmlinen.jpg" /&#62;





	
	
	
	



Sirja
Moberg, 2023, A Childhood dream – Metorites. Video. Sound by
Juho Hämäläinen, (11
min 10 sec).






&#60;img width="3649" height="4865" width_o="3649" height_o="4865" data-src="https://freight.cargo.site/t/original/i/eb07a27919e1a24f6978d5a30ecbd469f622e1a525829c549fe7079aa0dd6105/5.-Alinen--Traces-of-the-Underlying.-Mixed-media-installation..jpg" data-mid="206261964" border="0"  src="https://freight.cargo.site/w/1000/i/eb07a27919e1a24f6978d5a30ecbd469f622e1a525829c549fe7079aa0dd6105/5.-Alinen--Traces-of-the-Underlying.-Mixed-media-installation..jpg" /&#62;
&#60;img width="3163" height="4218" width_o="3163" height_o="4218" data-src="https://freight.cargo.site/t/original/i/8f1ec6f855a4a49a7ddd117dcd14b2deda28b12e06da873f02ce1cc4760acc0d/DSC_6151.jpg" data-mid="206261971" border="0"  src="https://freight.cargo.site/w/1000/i/8f1ec6f855a4a49a7ddd117dcd14b2deda28b12e06da873f02ce1cc4760acc0d/DSC_6151.jpg" /&#62;


	
	
	
	



2023,&#38;nbsp;Alinen, Traces of the Underlying. Mixed media installation.




&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/b5b2cb54f464af756ed831bd4dbf6d068dae484f890644bbb263fb0ac8027c41/DSC_6005-1.jpg" data-mid="206264783" border="0"  src="https://freight.cargo.site/w/1000/i/b5b2cb54f464af756ed831bd4dbf6d068dae484f890644bbb263fb0ac8027c41/DSC_6005-1.jpg" /&#62;


&#60;img width="5251" height="3938" width_o="5251" height_o="3938" data-src="https://freight.cargo.site/t/original/i/20cc3c76f277d1664ef783422a2110381a051196f1f6123a4bd684c5147d1757/DSC_6004.jpg" data-mid="206264785" border="0"  src="https://freight.cargo.site/w/1000/i/20cc3c76f277d1664ef783422a2110381a051196f1f6123a4bd684c5147d1757/DSC_6004.jpg" /&#62;
&#60;img width="5230" height="3922" width_o="5230" height_o="3922" data-src="https://freight.cargo.site/t/original/i/6b644ed3bc34eb9cfbda99bcc82a184048f7019d311c0fb8af40e0bf675ab535/DSC_6003.jpg" data-mid="206264784" border="0"  src="https://freight.cargo.site/w/1000/i/6b644ed3bc34eb9cfbda99bcc82a184048f7019d311c0fb8af40e0bf675ab535/DSC_6003.jpg" /&#62;


	
	
	
	



2022,Söderfjärden series. Pigment print.





&#60;img width="5791" height="3866" width_o="5791" height_o="3866" data-src="https://freight.cargo.site/t/original/i/48c7a792c887cae669282f34ac9fa09ea76a44a9764670f3ae7a61965aeea5ce/13.-Lumparn_-Latent-waves.jpg" data-mid="206261967" border="0"  src="https://freight.cargo.site/w/1000/i/48c7a792c887cae669282f34ac9fa09ea76a44a9764670f3ae7a61965aeea5ce/13.-Lumparn_-Latent-waves.jpg" /&#62;


	
	
	
	



2023,&#38;nbsp;Lumparn: Latent waves. Pigment print.




&#60;img width="3969" height="5946" width_o="3969" height_o="5946" data-src="https://freight.cargo.site/t/original/i/4761abe086caa6aa42de873e9e2ca46a008d41d84b4427aa5d1ef4d0662e74b9/14.-Karikkoselk_-A-Blanket-of-Stars.jpg" data-mid="206261968" border="0"  src="https://freight.cargo.site/w/1000/i/4761abe086caa6aa42de873e9e2ca46a008d41d84b4427aa5d1ef4d0662e74b9/14.-Karikkoselk_-A-Blanket-of-Stars.jpg" /&#62;


	
	
	
	



2021, Karikkoselkä:
A Blanket of Stars. Pigment print.






&#60;img width="3895" height="5834" width_o="3895" height_o="5834" data-src="https://freight.cargo.site/t/original/i/8f061329fe213e038e57476583250ed786b31c5f4f4d3a68ae10b39d9e39b032/16.-Sksjrvi_-The-Shape-of-Water---Soil-Experiments.-Photo-collage--pigment-transfer-on-canvas.jpg" data-mid="206261969" border="0"  src="https://freight.cargo.site/w/1000/i/8f061329fe213e038e57476583250ed786b31c5f4f4d3a68ae10b39d9e39b032/16.-Sksjrvi_-The-Shape-of-Water---Soil-Experiments.-Photo-collage--pigment-transfer-on-canvas.jpg" /&#62;


	
	
	
	



2021–2023,&#38;nbsp;Sääksjärvi: The Shape of Water &#38;amp; Soil Experiments. Pigment transfer on canvas.





&#60;img width="3782" height="5666" width_o="3782" height_o="5666" data-src="https://freight.cargo.site/t/original/i/0a41ee94980d0a76dc74f168c597035fdddb4fb1a99f3a8d97632a865c7a7c46/18.-Saarijrvi_-Siphonophycus-I-II.-Lumen-print--Pigment-print-a-digital-scan-of-a-Lumen-print.jpg" data-mid="206261970" border="0"  src="https://freight.cargo.site/w/1000/i/0a41ee94980d0a76dc74f168c597035fdddb4fb1a99f3a8d97632a865c7a7c46/18.-Saarijrvi_-Siphonophycus-I-II.-Lumen-print--Pigment-print-a-digital-scan-of-a-Lumen-print.jpg" /&#62;


&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/9f0256a1456f9670643d0bac7269fbeea75f1f39ce9897e47617e772cfb74ef9/DSC_6098.jpg" data-mid="206261958" border="0"  src="https://freight.cargo.site/w/1000/i/9f0256a1456f9670643d0bac7269fbeea75f1f39ce9897e47617e772cfb74ef9/DSC_6098.jpg" /&#62;
&#60;img width="3981" height="5308" width_o="3981" height_o="5308" data-src="https://freight.cargo.site/t/original/i/e757cf582d10732bce85444ec0dcbb144d2aeecf66c70a17bc775c92dbbe0d2e/DSC_6097.jpg" data-mid="206261957" border="0"  src="https://freight.cargo.site/w/1000/i/e757cf582d10732bce85444ec0dcbb144d2aeecf66c70a17bc775c92dbbe0d2e/DSC_6097.jpg" /&#62;


2023,&#38;nbsp;Saarijärvi: Siphonophycus I-II. Lumen
print, Pigment print (a
digital scan of a Lumen print)




The Underlying
Solo exhibitionPorvoon Taidehalli (Porvoo Art Hall), Porvoo FIN16.2.–24.3.2024
Sirja Moberg’s exhibition ”The Underlying” unfolds in Porvoo Art Hall in ritualistic formations. The photo and video artworks explore the invisible, the mystical, and the diverse nature through soil, the lifecycle, plant life, and the hidden deep time in landscapes. The exhibition also presents soil chromatographies, pigment transfer works, as well as object and sculpture installations. The exhibition offers pers pectives on reflections over our relationship with nature through experimental photographic methods.

Soil is a unifying factor in Moberg’s work, which essentially includes fieldwork trips to nature reserves’ forests, meteorite craters, and the fells of Sápmi nature. From these locations, she has gathered materials an experiences for her works. With the works exhibited at the Porvoo Art Hall, Moberg aims to represent the deep time crystallized in meteorites and trace fossil stones from Kilpisjärvi: How do these extremely slow changes in cosmic and geological time compare to the brief span of human life?

In addition to directing her camera towards these earthy elements, as seen in the video work ”Kuonjarjokka” and in the video made with a microscope, ”A Childhood Dream – Meteorites”, Moberg uses sand, stones and plants as materials in the creation of analog photographs. The exhibition also showcases an alternativ way of utilizing soil chromatography, originally developed for agriculture. Chromatographies that make use of soil and forest materials along with photo chemicals allow the viewer to, as it were, look into the earth and reflect on the vitality that originates from it.
”The connection to nature and its mysteries is at the core of my artistic practise. I am particularly puzzle by how photography acts as a revealer, concealer, and delimiter of these aspects, as well as of reality itself. Experimental photographic processes and their combination with other artistic techniques are the drivingforce that moves my work forward,” Moberg explains. The artist has also drawn inspiration from the ancient Finnish belief that the underworld was the night side of all existence. Therefore, ”The Underlying” exhibition looks beneath the surface of reality to things that do not appear to the naked eye.







	


	








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	<item>
		<title>INTERVIEW</title>
				
		<link>https://sirjamoberg.com/INTERVIEW</link>

		<pubDate>Fri, 17 Apr 2020 14:57:36 +0000</pubDate>

		<dc:creator>sirjamoberg</dc:creator>

		<guid isPermaLink="true">https://sirjamoberg.com/INTERVIEW</guid>

		<description>
	

PARANVOINTERVIEW: ALTERNATIVE PROCESSES



&#60;img width="3329" height="4433" width_o="3329" height_o="4433" data-src="https://freight.cargo.site/t/original/i/7275204ce89dcbaa1d2a5c604925fbdceb2fd6d4ef56f374ea8561f0e44792eb/IMG_20230726_13122672.jpg" data-mid="206251003" border="0"  src="https://freight.cargo.site/w/1000/i/7275204ce89dcbaa1d2a5c604925fbdceb2fd6d4ef56f374ea8561f0e44792eb/IMG_20230726_13122672.jpg" /&#62;


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&#60;img width="3182" height="4245" width_o="3182" height_o="4245" data-src="https://freight.cargo.site/t/original/i/7e99b04bbc7f7bb0614a0551aa695ec3d8923be9aba4cc7839a58e0c33588c0f/IMG_20230726_13121872.jpg" data-mid="206251037" border="0"  src="https://freight.cargo.site/w/1000/i/7e99b04bbc7f7bb0614a0551aa695ec3d8923be9aba4cc7839a58e0c33588c0f/IMG_20230726_13121872.jpg" /&#62;


Theme: Alternative processesFotograf MagazineSummer issue 2023During my Nordic Analog residency at Cyan Darkroom, the Norwegian Fotograf&#38;nbsp;magazine interviewed me about my artistic practise and alternative photographic processes.
“

1: What is you
background (short) and why did you choose to work with alternative
processes?I
am a visual artist from Finland and my background is in the fine arts
and photography. I've had solo exhibitions in nature and in gallery
spaces. I've participated in numerous joint and group exhibitions in
Finnish galleries and museums and I graduated with my MA from Aalto
University's photography department in Finland, 2020. It is natural
for me to work with alternative processes in photography because it
has been that way from the beginning for me. I am always looking for
ways to develop in my artistic practise and work with new techniques.
That is what keeps my drive on, to feel in a way like an alchemist of
art. My practice is experimental and exploratory, while at the same
time I have focus on combining art, scientific methods, bioart and
visual research. For me alternative processes in photography have a
certain sense of magic and I always seek ways of revealing something
invisible or unknown in the nature and bring it visible and
multimeaningful via the freedom of art. Photographic processes and
combining them with other art techniques seems limitless and that's
what has always interested me the most in photography.






2: What does a slow and analogue
process ad to an image, a project and to your own work?My
projects are long-term, and I work with experimental photography,
video, light, installation, sculpture and bioart. That is why I am
friends with analogue photo processes because my projects usually
take time (years) with research, making field trips, learning
techniques and going experimental with them, like with soil
chromatograpgs which I've developed to make from other forest
materials aswell e.g. lichens. I feel analogue process ads perhaps a
more autehntic, intimate and crafty feeling to an image for the
viewer and also for the artist. Slow process through the sensation of
making something physical gives meaning for my daily life as an
artist and it allows me to ponder the contents also more profoundly
of my images.

The
connection to nature and nature mysticism are at the core of my art.
In particular, I am fascinated by the reality claim and agency of a
photograph as a revealer, concealer and delimiter of reality. In our
Western culture, what nature photographs that focus on aesthetics do
not show us, and what nature does not necessarily show to the
impatient eye of the busyness of everyday life, is at the heart of my
work. The slower processes of a phtograph. For example, the soil is a
living entity under our feet, but we are constantly in a state of
oblivion with it, as if in a dream. Soil has been a big theme in my
recent projects. My artistic field trips to forests of nature
reserves, meteorite craters and the fells of the Finnish Sámi Land
combine my interest in soil and addressing it throught photographic
represenation.




3: Do you think that the analogue
processes will get a revival in our digital age? (And if so, why)In
my opinion analogue processes have been making a come back for many
years already. I see it in the contemporary art and photography scene
and I hear it in the conversations. I think people and artists have a
need of understanding the medium of a photograph now even more than
ever since it has taken over our evey day lives through the masses of
images we see (Internet, TV, screens etc.) Photographs define how we
understand the world around us. In order to understand the photograph
itself one needs to go to the early techniques of photography making,
dig into the experimental and feel the materia in one's hands. In
addition to the making of analogue images I think is also imortant to
read and know the theory of (analogue) photography. We need
professionals in photography who have the know-how and ability to
read photographs and study how we understand the photographic
reality, for example with AI. We need to think about what kind of a
witness of reality the photographs of today are and what is the
medium.&#38;nbsp; 




“





	









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	<item>
		<title>LIGHT BEINGS ALCHEMY</title>
				
		<link>https://sirjamoberg.com/LIGHT-BEINGS-ALCHEMY</link>

		<pubDate>Fri, 17 Apr 2020 14:57:37 +0000</pubDate>

		<dc:creator>sirjamoberg</dc:creator>

		<guid isPermaLink="true">https://sirjamoberg.com/LIGHT-BEINGS-ALCHEMY</guid>

		<description>
	
	


LIGHT BEINGS ALCHEMY


	
&#38;nbsp;

Series of lumen and chemigram prints&#38;nbsp;
Soil and forest materials, liquids,

on expired photo papers


(Pigment print)
2023-2026
On going project



	

&#38;nbsp;


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</description>
		
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	<item>
		<title>SOIL CHROMATOGRAPHY</title>
				
		<link>https://sirjamoberg.com/SOIL-CHROMATOGRAPHY</link>

		<pubDate>Fri, 17 Apr 2020 14:57:38 +0000</pubDate>

		<dc:creator>sirjamoberg</dc:creator>

		<guid isPermaLink="true">https://sirjamoberg.com/SOIL-CHROMATOGRAPHY</guid>

		<description>
	SOIL CHROMATOGRAPHY

	


Soil-, moss-, lichen-, tree beard- and tree bark chromatography &#38;amp; installation
2022–2025
On going project








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		<title>About</title>
				
		<link>https://sirjamoberg.com/About</link>

		<pubDate>Fri, 17 Apr 2020 14:57:39 +0000</pubDate>

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ABOUT
IN FINNISH (SCROLL DOWN FOR ENGLISH)
Sirja Moberg, TaM,&#38;nbsp;Kuvataiteilija, Helsinki

(s. 1989, Siilinjärvi) 





Sirja Moberg on Helsingissä asuva kuvataiteilija. Hän valmistui taiteen maisteriksi Aalto-yliopistosta, erikoistuen valokuvaan vuonna 2020. Moberg työskentelee usein pitkäaikaisissa projekteissaan valokuvauksen laajennetun kentän, biotaiteen, installaation, julkisen taiteen ja videon parissa. 

 

Mobergin viimeaikaiset teokset, kuten Luovan valokuvan keskuksen Galleria Ratamon ‘Light Beings Alchemy’ (2026) ja Porvoon Taidehallin yksityisnäyttelyssä ‘The Underlying’ (2024),

peilaavat metsämaisemaan kätkeytynyttä historiaa, ja tarkastelevat ihmisen ja luonnon
välistä animistista suhdetta henkilökohtaisen kokemuksen, tarinallisuuden, geomantian sekä taiteen &#38;amp; tieteen dialogin kautta.&#38;nbsp; 

Kokeelliset valokuvamenetelmät, samoin kuin taiteen ja tieteen rajapintojen tutkiminen, ovat hänen työlleen tunnusomaisia piirteitä. Hän ammentaa inspiraatiota yhteistyöstä luonnontieteilijöiden kanssa sekä suomalaisista muinaisista uskomuksista ja kansantaruista, jotka liittyvät luontosuhteeseen. Fakta ja fiktio, tieteellinen, taiteellinen ja henkilökohtainen lomittuvat hänen töissään. 

Kuten astronautti ja fyysikko Mae Jemison on todennut: ”Tiede tarjoaa ymmärrystä universaalista kokemuksesta, ja taiteet tarjoavat universaalin ymmärryksen henkilökohtaisesta kokemuksesta”.



Maaperä on yhdistävä tekijä Mobergin työskentelyssä, johon kuuluu olennaisesti työskentelymatkat luonnonsuojelualueiden metsiin, meteoriittikraattereille ja Saamenmaan tunturiin. Työmatkoilta Moberg kerää materiaaleja kuten maaperää, metsäaineksia ja kiviä sekä kokemusmaailmaa työhuonetyöskentelylle. Siellä&#38;nbsp; hän

syventyy kamerattoman valokuvan kestoisuuteen ja&#38;nbsp; materiaalisuuteen "slow photography" -
menetelmin kemigrammein ja lumen-valokuvin. Syntyvät valokuvat ovat enemmän-kuin-inhimillisten
maailmojen välistä yhteyttä: elollisten organismien aikaansaamia ja valon piirtämiä jälkiä valokuvapaperille.
Jäljet rinnastuvat geomantiaan, joka on muinainen ennustamisen tapa maahan heitetyistä tikuista, kivistä,
hiekasta tai mullasta sekä niiden tulkitsemisesta. Biotaiteen muotona hän käyttää maaperäkromatografiaa,
jossa maa- ja turvenäytteet piirtävät paperille maaperän visuaalisen "muistijäljen".



“Erityisesti minua askarruttaa valokuvan toimijuus näiden asioiden sekä todellisuuden paljastajana, piilottajana ja rajaajana.” Moberg pohtii.
&#38;nbsp;

BIO

Moberg valmistui Aalto-yliopiston valokuvataiteen maisteriohjelmasta vuonna 2020, ja taiteen kandiksi Turun AMK:n Taideakatemiasta (2015). Hän opiskelee Julkisen taiteen erikoistumisopinnoissa Taideyliopistolla (2025

–). Mobergilla on ollut monia yksityisnäyttelyitä Suomessa sekä ulkomailla vuodesta 2011 lähtien, ja viimeisimmät yksityisnäyttelyt olivat

 Luovan valokuvan keskuksen Galleria Ratamossa (2026),&#38;nbsp;

 Porvoon Taidehallissa (2024), Tampereen Galleria Rajatilassa (2023) ja Oslossa CYAN Gallerissa (2023). Hän on osallistunut lukuisiin ryhmänäyttelyihin kuten Resident Landscape -näyttelyyn Oslon Vanhassa Munch Museossa (2025),&#38;nbsp;Muutos.art-näyttelyyn Tampereella (2024),&#38;nbsp;Horizont -purkutalo ryhmänäyttelyyn Suomessa &#38;amp; Ruotsissa, Tornio/ Haaparannassa (2023), Kuoriaisefekti-ryhmänäyttelyyn Helsingin Luonnontieteellisessä museossa (2022), ja Unfold -yhteisnäyttelyyn Suomen valokuvataiteen museossa (2020). 
Mobergin työskentelyä on tukenut Taiteen edistämiskeskus (2020–2023). Hän on 

Suomen Biotaiteen Seuran hallituksen puheenjohtajan varajäsen sekä taideyhdistysten kuten MUU ry:n ja Vartiosaari Artists ry:n jäsen. Valokuvakeskus Perissä hän toimi vuosina 2016–2017 taiteellisessa toimikunnassa. 

 Vuonna 2024 taiteilija valittiin Lauttasaaren kevätresidenssiin Monoma &#38;amp; Mushrooming:in kutsumana. Pimiöresidenssiin hänet valittiin 

Oslon Cyan Darkroom:iin Nordic Analog Networkin kautta (2023). Moberg on ollut Taidelaitos Haihatuksen ja Keuruun Museon Santun Talon taideresidensseissä (2018–2022), milloin Keuruun museo hankki hänen teoksiaan kokoelmiinsa. 

Syksyllä 2021 hänet valittiin Field_Notes - Traces -työpajaan Suomen Biotaiteen Seuran kutsumana Helsingin yliopiston Kilpisjärven biologiselle tutkimusasemalle.

 Mobergin teoksia on Turussa Kuusi-o Taidetalon kokoelmassa (2024). 






Yhteystiedot tilaustöille ja 

yhteistyölle:
moberg.sirja(a)gmail.com





IN ENGLISH

Sirja Moberg, MA, A visual artist

 from Helsinki, Finland 
(b. 1989, Siilinjärvi)


 Sirja Moberg 

 is a visual artist and Master of Arts working in Helsinki. 

In her practice she works with the expanded field of photography, bioart, installation, sculpture, environmental art and video. The themes of Moberg's work are histories hidden in the natural landscape, such as meteorite lakes, trace fossil stones and bog peat. She feels important to deepen human interconnectedness to nature through photographic practices and bioart. The combination of art and science collaboration and blending it with spiritual thinking and sacred ecology are characteristic features in her work. Moberg draws inspiration from dialogues with scientists, as well as from Finnish ancient beliefs and folk tales that are connected to the relationship with nature. Fact and fiction, scientific, artistic 
and the personal intertwine in her work. As an astronaut and physicist Mae Jemison has put it: “Science provides an understanding of an universal experience, and arts provide an universal understanding of a personal experience”.Soil is a unifying factor in Moberg’s recent work, which essentially includes fieldwork trips to nature reserves’ forests, meteorite craters, the fells of Sápmi nature as well as her childhood home forests in Northern Savo. From these locations, she has gathered materials and experiences for her photo based lumen and chemigram prints as well as soil chromatographs.”I am particularly puzzled by how photography acts as a revealer, concealer, and delimiter of reality.” Moberg explains.
 BIO


Moberg‘s latest solo exhibitions have been seen 

in Gallery Ars Libra (2026), the Center of Creative Photography’s Gallery Ratamo in 2026, Porvoo Art Hall (2024) and Gallery Rajatila (2023) in Finland. She has participated in several group exhibitions in Finland and abroad e.g. 

 Resident Landscape exhibition in&#38;nbsp; Oslo in Gamle Munch Museum (2025),

Horizont demolition art house exhibition in Finland &#38;amp; Sweden, Tornio/ Haparanda (2023),&#38;nbsp;The Beetle Effect&#38;nbsp;in the Natural History Museum of Helsinki (2022) and 

 Unfold group show by Aalto University second year Photography MA students in The Finnish Museum of Photography (2020), Helsinki. In 2023 Moberg was selected as an artist in residence at Cyan Darkroom via Nordic Analog Network in Oslo (NOR) where she also held a solo exhibition in Cyan Galleri. She is currenlty studying in Specializing in Public Art programme in Uniarts Helsinki (2025

–). Moberg graduated as BFA from Turku Arts Academy (2015) and has also studied in Emily Carr University of Arts + Design in Vancouver, Canada (2019). 
Moberg’s practice has been promoted by the Arts Promotion Centre Finland (Taike) 2020–2023 and 2025. She is the Vice Chair of the council of Finnish Bioart Society (2025

– ), a memeber of the Finnish Bioart Society and a member of MUU artists association and Vartiosaari Artists association. In 2024, the artist was selected for the Lauttasaari Spring Residency, invited by Monoma &#38;amp; Mushrooming. In 2023, they were chosen for the Darkroom Residency at Oslo’s Cyan Darkroom through the Nordic Analog Network. Between 2018 and 2022, she participated in residencies at Haihatus and Santun Talo in Keuruu, where the Keuruu Museum also acquired her works for its collection. In autumn 2021, Moberg was selected for the Field_Notes – Traces workshop, invited by the Finnish Bioart Society, held at the University of Helsinki’s Kilpisjärvi Biological Research Station. Her works are also part of the Kuusi-o Art House collection in Turku (2024).





Contact for collaborations and commissions:
moberg.sirja(a)gmail.com











	
	
	
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